• Casino (1995) Soundtrack OST •

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Rating: 8.20/10 from 566000 votes

Tags: crime epic

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Synopsis

This Martin Scorsese film depicts the Janus-like quality of Las Vegas--it has a glittering, glamorous face, as well as a brutal, cruel one.

Ace Rothstein and Nicky Santoro, mobsters who move to Las Vegas to make their mark, live and work in this paradoxical world.

Seen through their eyes, each as a foil to the other, the details of mob involvement in the casinos of the 1970s and '80s are revealed.

Ace is the smooth operator of the Tangiers casino, while Nicky is his boyhood friend and tough strongman, robbing and shaking down the locals.

However, they each have a tragic flaw--Ace falls in love with a hustler, Ginger, and Nicky falls into an ever-deepening spiral of drugs and violence.

Download and play the Soundtrack list

Play	Title	Artist
	Casino
	J.S. Bach Matthäuspassion BMV	Johann Sebastian Bach: Composer Georg Solti: Conducted
	Zooma Zooma
	Moonglow
	You're Nobody 'Til Somebody Loves You
	Sing, Sing, Sing (With a Swing)
	7-11 (aka Mambo #5)
	Hoochie Coochie Man
	Fa-Fa-Fa-Fa-Fa (Sad Song)
	Long Long While
	(I Can't Get No) Satisfaction
	The 'In' Crowd
	Compared To What
	Slippin' and Slidin'
	Love Is Strange
	Heart of Stone
	Love Is The Drug
	Nel Blu Dipinto Di Blu (Volare)
	Takes Two to Tango
	How High The Moon
	I Ain't Superstitious
	Happy Birthday to You
	Working In The Coal Mine
	Unforgettable
	Stardust
	What A Difference A Day Makes
	I'll Take You There
	Love Me the Way I Love You
	Let's Start All Over Again
	Sweet Virginia
	Basin Street Blues/When It's Sleepy Time Down South
	Stella By Starlight
	Boogaloo Down Broadway
	Sweet Dreams
	Can't You Hear Me Knocking
	Toad
	Those Were The Days
	The Glory of Love
	Nights In White Satin
	Walk On The Wild Side
	Gimme Shelter
	EEE-O Eleven
	I'll Walk Alone
	Sunrise
	That's the Way I Like It
	Flight of the Bumblebee
	Theme de Camille
	Whip It
	Ain't Got No Home
	I'm Sorry
	Without You
	Go Your Own Way
	I'm Confessin' (That I Love You)
	The Thrill Is Gone
	Who Can I Turn To (When Nobody Needs Me)
	Harbor Lights
	The House of the Rising Sun
	Matthäuspassion BMV	Johann Sebastian Bach: Performer
	You're Nobody 'Til Somebody Loves You	Russ Morgan: Performer
	(I Can't Get No) Satisfaction	Mick Jagger: Performer
	The 'In' Crowd	Billy Page: Performer
	Slippin' and Slidin'	Little Richard: Performer
	I Ain't Superstitious	Willie Dixon: Performer
	I'll Take You There	Al Bell: Performer
	Let's Start All Over Again	The Paragons: Performer
	Basin Street Blues/When It's Sleepy Time Down South	Spencer Williams: Performer
	Can't You Hear Me Knocking	Mick Jagger: Performer
	Hurt	Ginger Baker: Performer
	I'll Walk Alone	Jule Styne: Performer
	That's the Way I Like It	2001: A Space Odyssey (1968): Performer
	Venus	2001: A Space Odyssey (1968): Performer
	Contempt - Théme de Camille (Georges Delerue)	Georges Delerue: Performer
	Angelina/Zooma, Zooma Medley (Louis Prima)	Georges Delerue: Performer
	Hoochie Coochie Man (Muddy Waters)	Georges Delerue: Performer
	I'll Take You There (The Staple Singers)	Georges Delerue: Performer
	Nights In White Satin (The Moody Blues)	Georges Delerue: Performer
	How High The Moon (Les Paul and Mary Ford)	Georges Delerue: Performer
	Hurt (Timi Yuro )	Georges Delerue: Performer
	Ain't Got No Home (Clarence)	Georges Delerue: Performer
	Without You (Nilsson)	Georges Delerue: Performer
	Love Is The Drug (Roxy Music)	Georges Delerue: Performer
	I'm Sorry (Brenda Lee)	Georges Delerue: Performer
	Go Your Own Way (Fleetwood Mac)	Georges Delerue: Performer
	The Thrill Is Gone (B.B. King)	Georges Delerue: Performer
	Love Is Strange (Mickey and Sylvia)	Georges Delerue: Performer
	The "In" Crowd (Ramsey Lewis)	Georges Delerue: Performer
	Stardust (Hoagy Carmichael)	Georges Delerue: Performer
	Disc Time:	Georges Delerue: Performer
	Walk On The Wild Side (Jimmy Smith)	Georges Delerue: Performer
	Fa-Fa-Fa-Fa-Fa (Sad Song) (Otis Redding)	Georges Delerue: Performer
	I Ain't Superstitious (Jeff Beck & Rod Stewart)	Georges Delerue: Performer
	The Glory Of Love (The Velvetones)	Georges Delerue: Performer
	(I Can't Get No) Satisfaction (Devo)	Georges Delerue: Performer
	What A Difference A Day Makes (Dinah Washington)	Georges Delerue: Performer
	Working In A Coalmine (Lee Dorsey)	Georges Delerue: Performer
	House Of The Rising Sun (Eric Burdon)	Georges Delerue: Performer
	Those Were The Days (Cream)	Georges Delerue: Performer
	Who Can I Turn To (When Nobody Needs Me) (Tony Bennett)	Georges Delerue: Performer
	Slippin' And Slidin' (Little Richard)	Georges Delerue: Performer
	You're Nobody Till Somebody Loves You (Dean Martin)	Georges Delerue: Performer
	Compared To What (Les McCann and Eddie Harris)	Georges Delerue: Performer
	Basin Street Blues/When It's Sleepy Time Down South Medley (Louis Prima)	Georges Delerue: Performer
	Matthaus Passion (The Chicago Symphony Orchestra )	Georges Delerue: Performer
	TAXI DRIVER: Theme (Sonny & His Jazzmen)	Elmer Bernstein: Performer
	RAGING BULL: Cavalleria Rusticana: Intermezzo (Radio Bratislava Symphony Orchestra)	Elmer Bernstein: Performer
	THE COLOR OF MONEY: It's In The Way That You Use It (Blues Boys)	Elmer Bernstein: Performer
	THE LAST TEMPTATION OF CHRIST: The Feeling Begins (L'Orchestra d'Acadamie)	Elmer Bernstein: Performer
	GOODFELLAS: Remember (Walking In The Sand) (The Shangri-Las)	Elmer Bernstein: Performer
	CAPE FEAR: Theme (L'Orchestra d'Academie)	Elmer Bernstein: Performer
	THE AGE OF INNOCENCE: Pathetique Sonata (Nicholas York)	Elmer Bernstein: Performer
	Radetsky March, Op. 228 - Johan Strauss (Vienna Opera Orchestra)	Elmer Bernstein: Performer
	CASINO: Contempt - Theme De Camille (L'orchestra Cinematique)	Elmer Bernstein: Performer
	THE GANGS OF NEW YORK: The Hands That Built America (Dee Harrington)	Elmer Bernstein: Performer
	THE DEPARTED: Chi Mi Frena From Lucia Di Lammermoor (Radio Bratislava Symphony Orchestra & Rita Noel)	Elmer Bernstein: Performer
	Sweet Dreams (Of You) (Zoe Nicholas)	Elmer Bernstein: Performer

User reviews

Laura Baker

1/10

The score felt repetitive and generic, failing to capture the complexity and duality of the characters and their relationships in the story.

Susan Carter

5/10

The soundtrack of Casino perfectly captures the dual nature of Las Vegas, blending glamorous and brutal tones seamlessly.

Matthew Carter

8/10

The soundtrack effectively sets the tone for the era of the 1970s and '80s, immersing the audience in the atmosphere of the casinos and mob dealings portrayed in the film.

Sarah Lee

6/10

The music enhances the tension and drama of the film, reflecting the complex relationships and power dynamics at play.

Carol Moore

6/10

Each track seems carefully selected to underscore key moments in the story, creating a rich and immersive viewing experience.

David Thompson

5/10

The musical cues enhance the emotional impact of the film, especially during pivotal scenes of love, betrayal, and violence.

Charles Martinez

3/10

The soundtrack for Casino seemed disjointed and lacked cohesion, making it difficult to immerse myself fully in the movie's atmosphere.

Dorothy Hernandez

10/10

The use of music in Casino enhances the portrayal of Ace Rothstein and Nicky Santoro's characters. The soundtrack effectively underscores Ace's smooth and calculated demeanor, as well as Nicky's tough and volatile nature.

Elizabeth Smith

9/10

The soundtrack of Casino perfectly captures the dual nature of Las Vegas portrayed in the film. The music alternates between glamorous and brutal tones, mirroring the Janus-like quality of the city.

Donald King

7/10

The soundtrack of Casino perfectly captures the dual nature of Las Vegas, blending glittering and glamorous tones with gritty and intense melodies.

Richard Hill

5/10

Overall, the soundtrack of Casino is a vital component of the film's success, elevating the viewer's engagement and understanding of the narrative.

John Young

6/10

The use of different musical styles and genres mirrors the diverse personalities of the characters, adding depth to their portrayals.

Lisa Campbell

3/10

Overall, I was underwhelmed by the soundtrack of Casino and felt it missed the opportunity to elevate the film to a higher level of artistic expression.

Steven Williams

5/10

The music serves as a powerful storytelling device, helping to convey the inner struggles and conflicts of the main characters.

Anthony Thomas

9/10

The music in Casino sets the mood for the era of the 1970s and '80s, immersing the audience in the world of mob involvement in the casinos. The soundtrack helps create a sense of authenticity and nostalgia for that time period.

Robert Roberts

6/10

The soundtrack effectively transports the audience to the 1970s and '80s era of mob-controlled casinos, setting the mood for the narrative.

Michael Moore

6/10

The soundtrack contributes to the overall authenticity of the film, capturing the essence of Las Vegas during that tumultuous time period.

Emily Jones

7/10

The music enhances the portrayal of Ace Rothstein and Nicky Santoro, adding depth and complexity to their characters as they navigate the paradoxical world of the Las Vegas mob scene.

Linda Campbell

8/10

The emotional depth of the music mirrors the tragic flaws of the main characters, adding a layer of poignancy to their stories of love, betrayal, and downfall.